Review: Ches Smith’s residency at the Stone (9/30 – 10/5/2014)

In the interests of my health, hearing, and sanity, I did not go to every single set in Ches Smith‘s 12-set residency at the Stone… but I did manage to catch ten of them. (It turns out that those 12-shows-a-week runs are a lot easier when you’re on vacation and not working a full-time day job at the same time.) Ches is one of my favorite drummers, but having been up in Cambridge for most of the last 15 years, I hadn’t had a chance to see that many of his bands. I’d seen him in Ceramic Dog and as a sideman in a few other people’s bands, but out of his own bands I’d only ever seen his trio with Mat Maneri and Craig Taborn. I loved that trio when we saw them at Winter Jazz Fest, so I was really looking forward to seeing what he would do with all of these other projects. And I was looking forward to seeing them all at the Stone since it’s such an intimate, up-close-and-personal venue with a great vibe. (As an aside, I’ve never been so happy to have fancy musician’s earplugs in my life as when I saw 10 drum-heavy sets in a row at the Stone while sitting as close as possible.)

Ches Smith with Ceramic Dog

These were the ensembles I saw:

1. We All Break – a meeting of Haitian Drums and Creative Music: Matt Mitchell (piano) Daniel Brevil (traditional Haitian percussion) Markus Schwartz (traditional Haitian percussion) Ches Smith (drums, percussion)
2. These Arches: Tim Berne (alto sax) Tony Malaby (tenor sax) Mary Halvorson (guitar) Andrea Parkins (accordion, electronics) Ches Smith (drums)
3. Ches Smith Quartet: Jonathan Finlayson (trumpet) Craig Taborn (piano) Stephan Crump (bass) Ches Smith (drums)
4. Congs for Brums: Ches Smith (drums, electronics)
5. A free improv trio: Matt Nelson (tenor sax) Henry Grimes (bass) Ches Smith (drums)
6. A different free improv trio: Tyshawn Sorey (drums, piano) Randy Peterson, Ches Smith (drums)
7. Ceramic Dog: Marc Ribot (guitar, vocals) Shahzad Ismaily (bass, drums, electronics) Ches Smith (drums, electronics)

I’m not sure if you really get the scope of the variety and breadth just from reading that list, but it was a wide-ranging week of music. Percussion instruments alone spanned all the way from traditional wooden drums made with leather and rope to electronic effects played via a smartphone and tablet. Genre-wise there were several flavors of jazz and new music as well as a more-or-less rock trio (Ceramic Dog).
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Concert review: Winter Jazzfest Marathon (Jan. 10-11, 2014)

This weekend I attended both days of the Winter Jazzfest marathon in Greenwich Village. It’s a festival that has a unique appeal to those of us who are particularly manic about concerts; it’s basically an all-you-can-eat buffet of live music held in a bunch of venues in Greenwich Village. For one relatively low price you can run around and hear as many bands as you can stuff in your ears in the time allotted. Most sets were 45 minutes with a few double-length sets here and there. (I took it relatively easy and caught eleven ensembles plus the “round robin” duo improvisation set.)

This year was the tenth anniversary of Winter Jazzfest and featured a huge amount of bands (more than ninety). It was, of course, impossible to see them all, and there were some tough decisions to be made. We’d been warned by friends about previous years having long lines and big crowds at some venues, so we simplified our schedule a bit and tried to do multiple sets in the same venues as much as we could (without sacrificing the bands we most wanted to see). I spent most of my time in the NYU Law venue and the Judson Memorial Church, which was a pretty cool-looking room:

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(That’s Ches Smith on the left and Shahzad Ismaily on the right, during Ceramic Dog’s late-night Saturday set.)

The funny thing was that after I simplified things and tried to make my schedule less ambitious, I somehow ended up seeing (more…)