Review: John Zorn’s Cobra – 30th Anniversary (11/29/14)

On Saturday night I headed to Brooklyn with some friends to catch John Zorn’s 30th anniversary performance of Cobra at Roulette. Cobra premiered at Roulette in 1984, so it was certainly the perfect place for the anniversary concert. (It’s one of my favorite NYC venues, I’m always happy when something I want to see is happening there.) Zorn put together an all-star cast of his usual suspects including a lot of my favorite downtown musicians: Cyro Baptista on percussion; Sylvie Courvoisier on piano; Trevor Dunn on upright bass; Mark Feldman on violin; Erik Friedlander on cello; George Lewis on trombone; Eyal Maoz and Marc Ribot on electric guitars; John Medeski on organ; Ikue Mori on electronics; William Winant on percussion; and Kenny Wollesen on drums.

The night kicked off with a Q&A which was supposed to be Anthony Coleman asking John Zorn questions about Cobra. It deteriorated quickly into a bit of a tirade when Zorn saw someone in the audience taking a picture with their cell phone. He went on at some length about how there should be no record made of this concert in any way – no recordings, no photos, etc. I hesitated to even write this blog, but I guess us writers still have that whole ‘free speech’ thing going for us. Since there was such a strict ban on photography I am forced to give you only this artist’s representation of the concert:
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Concert Review: John Medeski at the ICA (12/12/2013)

On Thursday night I had the great pleasure to see John Medeski play a solo piano concert at one of the nicest venues in Boston, at the Institute of Contemporary Art. I always look forward to their high-quality sound, perfect sightlines and a generally beautiful room (and view). They also have a special free admission on Thursday nights, so I was able to leave straight from work, get there early and check out some contemporary art before the show. I also got there early enough to get the best seat in the house!

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I’d seen Mr. Medeski play a solo set before, about two years ago at Lilypad (you can watch most of that set on Youtube; a collaboration between my camera footage, the footage of the person sitting next to me, and his friend’s audio recording). I’d really enjoyed that performance, so I was fully expecting something really good this time around. The concert at the ICA started out in a fairly similar vein to the Lilypad set, but after he got warmed up it seemed like this set was at a higher level – it may well be one of the very best piano-based jazz sets I’ve ever seen. Dynamic, interesting, and fun. He was very (more…)

Concert(s) Review: John Zorn’s Song Project & Moonchild (9/29/2013)

Sunday night was (sadly) the last night of my New York Zorn@60 adventure – and it was the end of a rather remarkable run of shows for me. I ended up going to 18 concerts in September, 10 of which were Zorn@60 events. (I didn’t have a chance to write about some of the shows, unfortunately – it’s hard to combine that level of concert attendance with a full-time job, travel and blogging.) I was a little worried that after the big blowout week of music we’d just seen, this night would be a bit of a let-down, because I have kind of mixed feelings about both projects. But I’m not the sort of person who would skip a Zorn concert (under pretty much any circumstances you can think of) so I went along and hoped for the best.

Both of the concerts on Sunday were at Le Poisson Rouge, a venue I really like in Greenwich Village. The early set was the Song Project, which is more-or-less the Dreamers with a replacement keyboard player (John Medeski instead of Jamie Saft) with the addition of a few vocalists. The full band line-up: John Zorn (conducting), Marc Ribot (guitar), Kenny Wollesen (vibes), Trevor Dunn (bass), Cyro Baptista (percussion), Joey Baron (drums), and John Medeski on keys. The vocalists were Mike Patton, Jesse Harris, and Sofia Rei. They play some Dreamers material, but they also play a bunch of other stuff ranging anywhere from Filmworks to Naked City.

The reason I have mixed feelings about the group is that (more…)

Concert Review: John Zorn’s Game Pieces (9/27/2013)

(See previous post for explanation of why there are no photos or videos in this blog article. Welcome to Wordville, population: 1871. If you find any photos or videos from this show, feel free to link to them in the blog comments!)

Friday night was our third night in a row at the Miller Theatre, and out of the three nights, it was the music I was most excited about: John Zorn’s Game Pieces. I was sadly in a lousy mood going into it, partly because of the e-mail I’d received from them and partly because I wasn’t looking forward to spending another 3-4 hours in such a hot and stuffy room (it had been so bad the night before, people were falling asleep left and right, and my friends had to miss pieces of music to go out and get fresh air). I felt bad for the musicians – you know if it’s hot and stuffy in the audience section, it’s ten times worse on stage since they’re higher up and constantly under all those hot lights.

It is really a shame that there are no videos available of most of these pieces, because some of them I feel are almost pointless to listen to without being able to see them. It is so much easier to understand what’s happening when you can see the musicians and the prompter/conductor/director. It’s also lots and lots of fun to watch these pieces! On this particular night we got an incredible array of pieces, the likes of which has not been seen probably since (more…)

Concert Review: Zorn@60 at Gent Jazz Festival (7/14/2013)

Today’s concert review was written by our esteemed Belgian music correspondent, Bjorn Weynants. I’m posting this video of excerpts from the show here at the top so you can listen while you read! – Sarah V.


When it was announced that John Zorn would do a world tour with his “Zorn@60″ celebration, it came as no surprise that a Belgian stop at the Gent Jazz festival was included. After all, John Zorn has been a popular guest at this festival and its sister-festival Jazz Middelheim (which has the same organisers). You may be familiar with the live album by the original Masada Quartet Live in Middelheim 1999. The (multi-day) Gent Jazz festival takes place at the Bijloke site in the city of Ghent, which is a former hospital/abbey that has been beautifully converted into a museum/music centre, with a tent in the gardens where the concerts take place.

Apart from the “classic” Zorn@60 line-up on the main stage, we did get some extra (Zorn-related) concerts at a second – much smaller – Garden Stage. The concept behind Zorn@60 was not to look back at Zorn’s career thus far (he is not the type of musician to look back at what he did in the past), but rather to give an idea of what he is doing right now musically, at the age of 60.

The opening act was the Song Project, a new project. The central idea behind it was to write lyrics to a selection of Zorn songs, lyrics written by the likes of Sean Lennon, Laurie Anderson, Mike Patton and others. Three singers were present: Mike Patton (of Moonchild and Faith No More fame), Sofia Rei (from Mycale) and Jesse Harris (songwriting collaborator of Norah Jones). The backing was done by a band (directed by Zorn) which was basically The Dreamers, but with John Medeski instead of Jamie Saft on piano. A wide selection out of Zorn’s oeuvre was played: from Naked City to The Concealed (The Road to Kafaristan) to the Book of Angels (Dalquiel).

It will come as no surprise that (more…)