Last week’s concerts: Mat Maneri, Lucien Ban, Rudresh Mahanthappa, Banquet of the Spirits, Marc Ribot, Emeline Michel, and last but not least, Sex Mob

…in that order! I had a pretty busy week, including checking out four new-to-me music venues in four days. It’s amazing how many different venues there are in New York – I’ve gone to 200+ concerts in this town and there’s still so many places I haven’t been. (I just checked my list, I’ve been to 18 different venues since January 1st this year.)

The first concert of the week was a last-minute decision after being sick in bed for a couple of days. I made a swift recovery on the last day and decided I was OK to go downtown to the Cornelia Street Cafe to see Mat Maneri and Lucien Ban‘s new quintet. Unfortunately, since it was last minute, the early set was already sold out… but I decided to hang out and see if I could get in on the waitlist. Concert karma won out and I ended up being the last audience member allowed in, and yet somehow got a second row table. Score!

I stayed for both sets and really enjoyed it. It’s a somewhat unusual mix of instruments – Lucien Ban on piano, Randy Peterson on drums, Tony Malaby on saxophone, Bob Stewart on tuba, and Mat Maneri on viola – but it worked really well. It’s hard to even pick favorites among the band – they were all so good.

This video is a duet and not the same quintet we saw live, but perhaps it will give you an idea of the sort of music that Mr. Ban and Mr. Maneri come up with together:

(OK, that sounds so nice that I just opened a tab in my browser and bought the album from Amazon MP3 so I can listen to it while I’m writing the rest of this article. I love the 21st century sometimes!)

The second concert of the week was Tuesday evening at the Jazz Standard: Rudresh Mahanthappa‘s quintet playing “Bird Calls”. Believe it or not, this was my first visit to the Jazz Standard! I liked it a lot more than I thought I would – in my imagination, every jazz venue with table seating is overcrowded and annoying, and every jazz venue that serves food is terrible and overpriced. Happily, this venue turned out to be an exception to the rule, and we had a really nice time. I look forward to seeing more shows there.

Venue aside, the concert itself was also very enjoyable – we’d seen (and liked) this band at Winter Jazzfest, but in this more relaxed and intimate venue, with better sound quality, it felt like a whole different ball game. As you may guess from the title, “Bird Calls” is heavily influenced and inspired by the music of Charlie Parker. (If you want to read about the album in-depth, check out this great article from All About Jazz.) Mr. Mahanthappa’s saxophone was clearly the star of the show, although he was supported by an excellent band. He made the intricate melodies and ideas seem effortless, and as the show went on, it just got better and better. Check out one of the tracks from “Bird Calls” here:

The next night was a show I’d been particularly looking forward to: Cyro Baptista’s Banquet of the Spirits at the Harlem Stage Gatehouse. Another new-to-me venue, it is a pretty nice place to see a show and gets a lot of bonus points for being walkable from my apartment. Double bonus points: it was a free concert. (NB: you need to RSVP in advance for their free shows, so make sure you reserve a spot early.)
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Concert review: Winter Jazzfest Marathon (Jan. 10-11, 2014)

This weekend I attended both days of the Winter Jazzfest marathon in Greenwich Village. It’s a festival that has a unique appeal to those of us who are particularly manic about concerts; it’s basically an all-you-can-eat buffet of live music held in a bunch of venues in Greenwich Village. For one relatively low price you can run around and hear as many bands as you can stuff in your ears in the time allotted. Most sets were 45 minutes with a few double-length sets here and there. (I took it relatively easy and caught eleven ensembles plus the “round robin” duo improvisation set.)

This year was the tenth anniversary of Winter Jazzfest and featured a huge amount of bands (more than ninety). It was, of course, impossible to see them all, and there were some tough decisions to be made. We’d been warned by friends about previous years having long lines and big crowds at some venues, so we simplified our schedule a bit and tried to do multiple sets in the same venues as much as we could (without sacrificing the bands we most wanted to see). I spent most of my time in the NYU Law venue and the Judson Memorial Church, which was a pretty cool-looking room:

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(That’s Ches Smith on the left and Shahzad Ismaily on the right, during Ceramic Dog’s late-night Saturday set.)

The funny thing was that after I simplified things and tried to make my schedule less ambitious, I somehow ended up seeing (more…)