Concert(s) review: Marc Ribot residency, part five (1/31, 2/2/2014)

It took us a while, but here we are: the final chapter of the Marc Ribot residency blog series. In this post we’ll be covering the “Songs” night (early set on Friday) and the John Zorn improv benefit (early set on Sunday). These two nights featured the largest line-ups of the residency, with 6-7 musicians per set. If you’ve missed the last few posts, you can read them here: one (improv duos), two (8mm film night), three (Marc Ribot Trio sets), four (solo sets/Zorn/Cage). But first, the gratuitous guitarist photo… here is George Spanos (left) and Marc Ribot performing at the benefit improv set:

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The “Songs” set on Friday was kind of a tricky one for me, which is why I’ve saved it for last. The band consisted of Ribot on guitar (acoustic and electric), Melvin Gibbs on bass, Tony Lewis on drums, and a three-piece string section of Christina Courtin (viola), Pico Alt (violin) and Christopher Hoffman (cello). It was quite a grab-bag of styles, everything from Philly soul to punk to delicate ballads. It’s hard to imagine anyone but Ribot putting together a collection of songs like this, really, but if you’ve ever heard a Ceramic Dog album you’re probably familiar with this eclectic approach to songwriting. (He commented wryly at one point that “you bring in charts for one night out of the whole week, and they write in ‘Time Out’ that you’re a singer-songwriter! The nerve of those people!”)

Some of my favorites of the night: the third song they played, La Noyee, was a cover/translation of a (more…)