Recent concert highlights: Erik Friedlander, Trevor Dunn’s PROOFReaders, Marc Ribot, Sean Rowe, and Zion80

I’ve had a light three weeks of concerts (well, light for me) between two head colds, a sinus infection and a round of antibiotics – yuck! Hopefully now that summer has arrived a couple of months early, the cold and flu season is over. I did manage to push through and get to a handful of shows, though I didn’t feel well enough to write about them until this week.

Erik Friedlander‘s solo set at Dixon Place, premiering his new album “Illuminations,” was a real treat. The new album is a must-hear – I’ve really been enjoying it (you can listen and buy it by clicking here). It reminds me a little of “Volac,” the album he did for John Zorn’s Book of Angels series, but with a bit more of a classical sound. I hadn’t been to Dixon Place before and it was an excellent place to see a very focused and intense solo set, with no distracting noise from the street or a bar. It was a beautiful concert, and I was happy to bring home the new CD afterwards for some extended listening sessions.

Here’s a piece from “Illuminations” that he performed in Krakow:

The same night, and with a slightly overlapping set time, was Trevor Dunn’s band PROOFReaders, with Dunn on upright bass, Darius Jones on saxophone, Nate Wooley on trumpet and Ryan Sawyer on drums. Luckily this show was just a few blocks from Dixon Place at the Skinny, so we were able to scoot over there and only miss a little bit of the beginning of the show. They played a double set of Ornette Coleman tunes, so we definitely got our money’s worth even though we were late (not always a sure thing these days with lots of sub-60-minute sets happening in avant-garde/jazz venues). It was a great opportunity to relax on some comfy couches and take in some high-quality acoustic jazz performed by very talented musicians. What more can a jazz fan ask for?

I don’t think the PROOFReaders have any recordings or videos available to share, but I will definitely go see them again if I get the chance.
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Last week’s concerts: Mat Maneri, Lucien Ban, Rudresh Mahanthappa, Banquet of the Spirits, Marc Ribot, Emeline Michel, and last but not least, Sex Mob

…in that order! I had a pretty busy week, including checking out four new-to-me music venues in four days. It’s amazing how many different venues there are in New York – I’ve gone to 200+ concerts in this town and there’s still so many places I haven’t been. (I just checked my list, I’ve been to 18 different venues since January 1st this year.)

The first concert of the week was a last-minute decision after being sick in bed for a couple of days. I made a swift recovery on the last day and decided I was OK to go downtown to the Cornelia Street Cafe to see Mat Maneri and Lucien Ban‘s new quintet. Unfortunately, since it was last minute, the early set was already sold out… but I decided to hang out and see if I could get in on the waitlist. Concert karma won out and I ended up being the last audience member allowed in, and yet somehow got a second row table. Score!

I stayed for both sets and really enjoyed it. It’s a somewhat unusual mix of instruments – Lucien Ban on piano, Randy Peterson on drums, Tony Malaby on saxophone, Bob Stewart on tuba, and Mat Maneri on viola – but it worked really well. It’s hard to even pick favorites among the band – they were all so good.

This video is a duet and not the same quintet we saw live, but perhaps it will give you an idea of the sort of music that Mr. Ban and Mr. Maneri come up with together:

(OK, that sounds so nice that I just opened a tab in my browser and bought the album from Amazon MP3 so I can listen to it while I’m writing the rest of this article. I love the 21st century sometimes!)

The second concert of the week was Tuesday evening at the Jazz Standard: Rudresh Mahanthappa‘s quintet playing “Bird Calls”. Believe it or not, this was my first visit to the Jazz Standard! I liked it a lot more than I thought I would – in my imagination, every jazz venue with table seating is overcrowded and annoying, and every jazz venue that serves food is terrible and overpriced. Happily, this venue turned out to be an exception to the rule, and we had a really nice time. I look forward to seeing more shows there.

Venue aside, the concert itself was also very enjoyable – we’d seen (and liked) this band at Winter Jazzfest, but in this more relaxed and intimate venue, with better sound quality, it felt like a whole different ball game. As you may guess from the title, “Bird Calls” is heavily influenced and inspired by the music of Charlie Parker. (If you want to read about the album in-depth, check out this great article from All About Jazz.) Mr. Mahanthappa’s saxophone was clearly the star of the show, although he was supported by an excellent band. He made the intricate melodies and ideas seem effortless, and as the show went on, it just got better and better. Check out one of the tracks from “Bird Calls” here:

The next night was a show I’d been particularly looking forward to: Cyro Baptista’s Banquet of the Spirits at the Harlem Stage Gatehouse. Another new-to-me venue, it is a pretty nice place to see a show and gets a lot of bonus points for being walkable from my apartment. Double bonus points: it was a free concert. (NB: you need to RSVP in advance for their free shows, so make sure you reserve a spot early.)
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Review: Jon Madof’s residency at the Stone (Dec 2014)

Last week was Jon Madof’s five-night residency at the Stone. I managed to catch half of the sets: two Rashanim Acoustic sets, one Rashanim Electric set, and two Zion80 sets.

I’d seen Rashanim twice before… sort of. The first time I saw them was five years ago when they participated in a Marc Ribot tribute concert, and they were playing Cubanos Postizos covers. (Historical concert review since I still have some of my notes from 2009: “They did a really fun set of covers from Ribot’s Cubanos Postizos albums. I loved all of the Cubanos cover set, it was really fun and you could tell the band was really enjoying it too, especially the guitarist.”) The other time I saw them was a Christmas Eve concert three years ago, where they were billed as Rashanim with three guests. But, surprise surprise, it turned out to be the first Zion80 concert (before they had a band name). So before this residency I’d never really seen Rashanim playing Rashanim, and I was looking forward to it!

All three of their sets were really high-quality live versions of music I’d previously only enjoyed on CD, which made me very happy. There’s just nothing like the energy and sound you get from a live performance. The electric and acoustic versions were somehow less different from each other than I’d expected – I guess when you think of acoustic guitar and bass vs. electric guitar and bass you have a certain internal stereotype of what kind of music that represents, but in this case both nights were distinctly Rashanim-y. It was cool to see them playing different instruments each night and comparing the sound (and of course the sitting vs. standing debate was played out with an all-seated acoustic set and a standing electric set). The most important part, of course, is that all of the music was great!

rashanims(L to R: Jon Madof, still Jon Madof, Shanir Blumenkranz, Mathias Künzli, and Shanir Blumenkranz again.)
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Concerts: Cyro Baptista’s residency at the Stone (Nov. 2014)

Ten concerts since I last managed to write a review, terrible blogger shame… but let us talk about the glorious week that was the Cyro Baptista residency at the Stone! I badly wanted to see all six nights, but I slept poorly all week and didn’t have the energy for it, so I only managed three nights and regretted all the ones I missed. The ones I did manage to catch were Beat the Donkey; Banquet of the Spirits with special guest Nels Cline; and Banquet of the Spirits with special guests Peter Apfelbaum and John Lee. (I honestly didn’t choose those three with any real plan, I simply went to the first night and then was too tired to ever go out two nights in a row, so I attended every other night.)

The first night was the one with Nels Cline guesting on guitar and Banquet of the Spirits. For those of you who aren’t familiar, Mr. Cline is the guitarist for Wilco, who are kind of a big deal in the indie rock scene. Naturally, when he plays with a great band in a one-off show at a tiny venue like the Stone, there will be long lines. I showed up about 20 minutes later than I was hoping to, and ended up with a seat in the back corner which was only tolerable because we had a great view of the keyboards. Banquet of the Spirits features Brian Marsella on keyboards, and he’s one of my all-time fave keyboard players, so I was pretty happy in spite of my view otherwise consisting of the backs of people’s heads. Although sometimes that can be interesting, too…

shanirback
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Review: John Zorn’s “Angels at the Vanguard” (part two)

(Continued from part one.)

We lined up a little earlier for Friday night’s shows, knowing that the presence of John Zorn on stage for the first set (Masada String Trio) would probably spur the fandom to greater heights of dedication. We ended up getting a front row table, and because of a rearrangement of seats due to the band configuration, I ended up sitting right against the stage; the band sat right up front due to the presence of a large percussion setup for the late set, so we ended up sitting about 1-2 feet from John Zorn and Erik Friedlander, which was a pretty crazy POV for this band. They sit in a tight circle with Zorn’s back to the audience, but my close-up sideways view let me see all of his conducting in detail. It was an amazing way to watch an amazing set – one of my favorites from the whole week. They played tunes from book 1 and 2 including the title track from their first Book of Angels album, “Azazel,” which was my favorite piece of the night. The string trio is one of the oldest Masada bands, and it shows – they are extremely talented musicians and about as tight a group as you’ll find anywhere. Zorn’s compositions show them off perfectly, with some pieces featuring lush melodies and others featuring sudden starts and stops and abrupt changes.

I didn’t take any photos or video during this set because it would have been disruptive to the musicians and other audience members to watch me be thrown out of the venue by John Zorn when I pulled out a camera two feet from his face 😉 but here is another live video of the band, from 15 years ago when they collectively had about 3x more hair:

The late set that night was Banquet of the Spirits, and my seat next to the stage meant that I had a faceful of Cyro Baptista’s large and complex percussion setup:

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This set was a lot of fun – it’s hard not to enjoy yourself when Cyro Baptista is playing, he’s almost in a class of his own when it comes to percussion. He brings not only technical mastery but also tons of creativity and a sense of humor. (In related news, I am really looking forward to his residency at the Stone in a couple of months!) The other members of the band are all excellent as well – Shanir Blumenkranz on bass and oud, Tim Keiper on percussion, and Brian Marsella on keyboards (he had a variety of instruments I couldn’t see in addition to the piano, I think there was a harmonium and a melodica as well). I had a great under-the-table photography spot during this set so I took a few nice photos…
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